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Andrea Pinotti

Professor
Università degli Studi di Milano
Hyper-Image. Simulation, Immersion, and the Challenge of Hyper-Realistic Environments
01 September 2017 -
30 June 2018
Philosophy
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Andrea Pinotti is Professor of Aesthetics and Representation and Image Theories at the Università Statale di Milano. He has been fellow at the Italian Academy for Advanced Studies in America at Columbia University, New York, the EHESS and FMSH in Paris, the Warburg Institute in London, the ZfL in Berlin. He has been visiting professor at the Université Jean-Moulin Lyon 3 and Directeur de Programme at the Collège International de Philosophie in Paris for the period 2010-2016. Among his publications: Estetica della pittura (2007); Cultura visuale. Immagini sguardi media dispositivi (co-authored with A. Somaini, 2016); L’empathie. Histoire d’une idée de Platon au posthumain (2016).

Research interest

Aesthetics of visual arts; image theories; visual culture studies; memory studies with particular reference to monumentality and counter-monumentality; empathy theories; Goethe’s morphology and its contemporary heredity.


Hyper-Image. Simulation, Immersion, and the Challenge of Hyper-Realistic Environments

Since the first attempts made in the Forties by Sergei Eisenstein in order to realize a stereoscopic cinema (Stereokino), a huge amount of intellectual, technological and financial efforts has been spent to implement an experience of the artificial man-made image so that it becomes impossible for the beholder to distinguish it from actual reality: a “hyper-image”, which revokes its status of “image-of”, presenting immediately itself as the object it represents. Various domains are affected by this powerful trend:

  • the filmic experience – both in traditional theatres and in home-theatres – is transformed by 3D cinema and 4D cinema;
  • the videogame experience is intensified by immersive virtual environments;
  • the artistic experience is enriched by interactive installations;
  • the professional experience is deeply remodelled according to the new imaging technologies;
  • the daily life experience is imbued with easily accessible and user-friendly applications hybridizing the physiological vision with AR (Augmented Reality) views.

In a near future, the widespread diffusion of virtual reality headsets (like the recently released Oculus Rift) will radicalize the paradox of an extremely mediated experience promoting a belief of immediate presence. As a major consequence of this paradox, the threshold between image and reality is substantially abolished: what was formerly an exceptional violation of the borders (elements of the picture stepping out of the frame or of the screen, or vice versa elements of reality entering the image), becomes now the rule and is no longer perceived as a threshold-trespass.

The research project addresses this complex constellation of problematic issues, aiming at developing a transdisciplinary approach in order to gain a critical comprehension of this phenomenon.

Talk by A. Pinotti, 2017-2018 Paris IAS fellow
04 Dec 2017 10:30 -
04 Dec 2017 11:30,
Naples :
La fotografia: tra icona e indice
10 Nov 2017 15:45 -
10 Nov 2017 16:15,
Florence :
Stereoeisentein. The Desire of Self-Negating Images
22 Sep 2017 14:55 -
22 Sep 2017 15:50,
Lyon :
Le régime des écrans est-il un “régime scopique”? Sur quelques problèmes de l’historicité de la perception
16 Sep 2017 15:00 -
16 Sep 2017 16:30,
Sassuolo :
La lezione dei classici: "L'opera d'arte nell'epoca della sua riproducibilità tecnica" di Walter Benjamin

10913
2017-2018
Contemporary period (1789-…)
World or no region