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Polyphony in Medieval Paris: The Art of Composing with Plainchant

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Catherine Bradley, Polyphony in Medieval Paris: The Art of Composing with Plainchant, Cambridge University Press, 2018, 298 p.

Présentation de l'ouvrage

Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking.

Plus d'informations (site de l'éditeur)

Benedicamus Domino (800-1500)
01 septembre 2017 - 30 juin 2018
10839
Catherine Bradley
18180
2018
Musique, musicologie et arts de la scène
Moyen Âge (476-1492)
Europe occidentale
Catherine Bradley